Nothing else to say right now - I’m just savouring the moment.
Wednesday, 25 November 2009
I’ve been referring to First Time I Met The Blues as a book for a while, but in truth, it was really just a collection of words in a file on my computer. But now it really is a book – 200 books, to be precise, sitting in boxes in my living room, delivered hot off the press this afternoon. (Well, not all that hot, given that the printers are based in Norfolk and I live in London.)
Wednesday, 11 November 2009
Last night I attended a meeting of the London Writers’ Club for the first time – my first attempt at novelist’s networking. The special guest was writer Nii Parkes, who read extracts from his novel Tail Of The Blue Bird and talked about his experiences with publishers, and how he’s gone about marketing his book.
He’s done so, in the main, off his own bat, even though the book is published by Random House. That fact, more than anything, rammed home the message that all writers (well, apart from JK Rowling and maybe a handful of others) have to do their own PR these days. That’s why I went along, to pick up tips, and I achieved that. (Not least from the splendidly-named Jonny Nexus, who I had a long chat with.)
I left the meeting simultaneously energised and deflated – the latter because it’s only now sinking in just how much I need to do in order to maximise my chances of gaining publicity and selling copies. I already have a lengthy to-do list, and every conversation I have about the project adds another couple of items.
The best question of the night came from a young woman who asked Nii how he balanced time spent marketing the book that was already published with time spent writing new material. Significantly, he didn’t really have an answer – and he’s a full-time writer.
Sunday, 8 November 2009
A couple of weeks ago, after watching Watford beat Sheffield Wednesday 4-1, I passed the One Bell pub on the High Street on my way back to Watford Junction station. From inside came the unmistakeable sound of a 12-bar boogie, and looking through the window I saw a bunch of middle-aged men – guitar, bass, drums – playing to a small crowd of drinkers. If I hadn’t had a train to catch, I’d have gone inside to listen myself. Because, in an alternative universe, that group could well have been The Hornets – the fictional band in First Time I Met The Blues.
The phenomenon of middle-aged men playing blues in pubs was one of my key inspirations for the novel. In my twenties, I often found myself in pubs where a band was performing classics from the Chicago blues repertoire – Muddy Waters, Howlin’ Wolf, Elmore James and the rest – and I couldn’t help noticing that the musicians were never in the first flush of youth. It was the hair that gave it away, mostly: either disappearing fast, or inappropriately long, and occasionally both at once.
So I started to wonder where these middle-aged blokes had come from. Had they always played the blues? Had they, perhaps, tasted success when they were younger? Was this what they expected to be doing in their forties and fifties?
From there, it was a relatively short step to inventing a fictional blues band and creating a back story for them; working all the way back to when they were teenagers falling in love with the music, then giving them a glimpse of success and seeing how they coped when things didn’t turn out the way they’d anticipated. After all, for every Eric Clapton or Mick Fleetwood, who used the British Blues Boom of the 1960s as a stepping stone to a life of limos and leggy blondes, there must have been dozens of blues musicians who didn’t become rich and famous. First Time I Met The Blues tells the story of three of them.